Tag Archive for: Jacques Derrida

MONTHLY BLOG 179, IDENTIFYING DIFFERENT ERAS OF TIME: POTENTIAL & PITFALLS …

If citing, please kindly acknowledge copyright © Penelope J. Corfield1 (2025)

Dandelion in the wind @ Shutterstock 2025

There is a perennial conflict between, on the one hand, looking at history in terms of specific periods (for example: ‘ancient’, ‘medieval’, ‘modern’) and, on the other, trying to interpret past events without using any of these pre-set concepts. To lump or to split?

The advantage of pre-set periods is partly descriptive. It is much more economical to write ‘in medieval England’ than it is to write ‘in England during the years from the fifth century AD to the later fifteenth century’.

But, once the deed is done, and centuries of history are clumped together, questions instantly multiply: Was there one medieval period? (Scholars disagree). If so, are those the right dates for it? Why is it sometimes divided into the ‘Low Middle Ages’ and the ‘High Middle Ages’? Is the concept basically fractured?

Moreover, if it is one period, then what are its major characteristics? Is the medieval era one of chronic ignorance and backwardness? Or it is a vanished era of romance and chivalry? Or, perhaps, neither of those options? What other alternatives are there??2 And did the wider sequence of stages within which it is allegedly embedded really exist either?3

Yet without any aggregative terms for big periods of time, then historical accounts risk becoming an undifferentiated list of ‘one damned thing after another’ – with the emphasis on the adjective ‘damned’.

Attitudes among historians often shift between doubt and grand certainties. In the nineteenth century, at least for many in the West, history was seen as an unstoppable ‘March of Progress’.4 And some still cling to that vision today.

Meanwhile, for Marxists, history proceeded not by slow evolution but by dramatic leaps. The inevitable class struggle generated many stormy internal tensions that each time led to a revolutionary breakdown, after which a new stage of history emerged, only to be followed by a further revolutionary breakdown, and the advent of a ‘higher’ stage of history. Thus ‘feudalism’ would be followed by ‘capitalism’, to be followed by ‘communism’.5 But neither ‘Progress’ nor the ‘Marxist dialectic’ has worked out precisely as foretold.

In Western intellectual circles in the 1980s and 1990s, doubt rather than certainty became the new mood-music (although of course, there were always dissentient voices). Above all, theorists of ‘postmodernism’ became influential among many disillusioned left-wingers. This viewpoint extended the stages of history from ‘feudal’ to ‘modern’ to ‘postmodern’. And the postmodern stance stressed the problematic nature of all knowledge about the past.

One central tenet of this attitude was an ‘incredulity towards meta-narratives’, as proclaimed by the French social philosopher Jean-François Lyotard.6 Grand sweeping stories about the march of history were at a discount. Time’s arrow did not point in any specific direction, it seemed. It was not sure where it was going.

Taking scepticism yet further, the French philosopher and literary destructionist, Jacques Derrida, asserted that temporality itself has no independent reality. For him, time is a concept which ‘belongs entirely to metaphysics’. (And, clearly, that formulation was not meant as a compliment). Instead, an a-temporal spatiality prevails throughout the cosmos.7

Postmodernist super-scepticism, however, was closely followed by a justified intellectual recoil. Historians, while these days tending to reject schematic grand narratives, have not gone to the other extreme. They do not accept that the past has no meaning, or that studies of history are purely subjective.8

Paradoxically, the postmodernists’ claim – that an old era of so-called confident ‘modernity’ has been superseded by a new age of sceptical ‘postmodernity’ –  does in itself assert that the course of history can be deciphered. In other words, their critique of meta-narratives did not inhibit them from producing an alternative meta-narrative of their own.

Times have moved on. Some writers boldly assert the ‘end of postmodernism’ and define the new era as ‘Post-Postmodern’.9 Others ask sceptically whether such an era was ever really there at all?10

Belief in the heresy of ‘time denial’ was never espoused by more than a tiny minority of philosophers and physicists. History as a subject of study remains immensely popular and important.

Therefore historians around the world continue these research and debates. They seek long-term interpretations that avoid over-simplification and embrace complexity – but that are, simultaneously, not so complex that no meaning can be extracted from the torrent of detail. There are specific periods of history that have a distinctive identity – but there are also long-term evolutionary trends as well as deep continuities, that extend through millennia. The whole mix is as complex as life. It’s also important and endlessly instructive. As a result, it’s fascinating and sometimes infuriating! Come and research the past (choosing any time-period, long or short) and join the non-stop debates! Time-space: it’s what we all live in!

ENDNOTES:

1 Contributing to PJC’s year of Time-BLOGS (2025). For more, see too P.J. Corfield, Time and the Shape of History (2007); and idem, Time-Space: We Are All in it Together (2025).

2 See N. Cantor, Inventing the Middle Ages: The Lives, Works and Ideas of the Great Medievalists of the Twentieth Century (1991); and A. Murray, ‘Should the Middle Ages be Abolished?’ in Essays in Medieval Studies, 21 (2004), pp. 1–22.

3 See esp. P.J. Corfield, ‘POST-Medievalism/Modernity/Postmodernity?’ Rethinking History, Vol. 14 (2010), pp. 379-404. Also available via PJC website, www.penelopejcorfield.co.uk/what_is_history?/Pdf20.

4 See J.B. Bury, The Idea of Progress: An Enquiry into its Origin and Growth (1921); C. Lasch, The True and Only Heaven: Progress and its Critics (1991); G.A. Almond and others, Progress and its Discontents (2022).

5 See variously T.B. Bottomore, Karl Marx (1956); idem (ed.), Modern Interpretations of Marx (1981); D. Conway, A Farewell to Marx: An Outline and Appraisal of his Theories (1987); J.H. Moore (ed.), Legacies of the Collapse of Marxism (1995); G. Therborn, From Marxism to Post-Marxism? (2010).

6 See J-F. Lyotard, The Postmodern Condition: A Report on Knowledge, transl. by G. Bennington and B. Massumi (1979); M. Drolet (ed.), The Postmodernism Reader: Foundational Texts (2004); and popularisation of these arguments in D. Harvey, The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1989); F. Jameson, Postmodernism: The Cultural Logic of Late Capitalism (1991); and H. Bertens, The Idea of the Postmodern: A History (1995).

7 See J. Hodge, Derrida on Time (2007); and, as an example of the debates, J.M. Lehmann, Deconstructing Derrida: A Post-Poststructuralist Critique (1993).

8 For a variety of historians’ responses, see R. Evans, In Defence of History (1997); F. Spier, Big History and the Future of Humanity (2010); D. Armitage and J. Guldi, The History Manifesto (2014).

9 For examples, see A. Kirby, ‘The Death of Postmodernism and Beyond’, Philosophy Now, Vol. 58 (2006); J.T. Nealon, Post-Postmodernism: Or, the Cultural Logic of Just-in-Time Capitalism (2012); B. Kuzniarz, Farewell to Postmodernism: Social Theories of the Late Left (2015); A. Gibbons, ‘Postmodernism is Dead. What Comes Next?’ Times Literary Supplement, 14 June 2017.

10 See e.g. S. Redhead, We Have Never Been Postmodern: Theory at the Speed of Light (2011); R. Kramer, Are we Postmodern Yet? And Were We Ever? (2019).

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MONTHLY BLOG 74, WHY CAN’T WE THINK ABOUT SPACE WITHOUT TIME?

If citing, please kindly acknowledge copyright © Penelope J. Corfield (2017)

Well, why not? Why can’t we think about Space without Time? It’s been tried before. A persistent, though small, minority of philosophers and physicists deny the ‘reality’ of Time.1 True, they have not yet made much headway in winning the arguments. But it’s an intriguing challenge.

Space is so manifestly here and now. Look around at people, buildings, trees, clouds, the sun, the sky, the stars … And, after all what is Time? There is no agreed definition from physicists. No simple (or even complex) formula to announce that T = whatever? Why can’t we just banish it? Think of the advantages. No Time … so no hurry to finish an essay to a temporal deadline which does not ‘really’ exist. No Time … so no need to worry about getting older as the years unfold in a temporal sequence which isn’t ‘really’ happening. In the 1980s and 1990s – a time of intellectual doubt in some Western left-leaning philosophical circles – a determined onslaught upon the concept of Time was attempted by Jacques Derrida (1930-2004). He became the high-priest of temporal rejectionism. His cause could be registered somewhere under the postmodernist banner, since postmodernist thought was very hostile to the idea of history as a subject of study. It viewed it as endlessly malleable and subjective. That attitude was close to Derrida’s attitude to temporality, although not all postmodernist thinkers endorsed Derrida’s theories.2 His brand of ultra-subjective linguistic analysis, termed ‘Deconstruction’, sounded, as dramatist Yasmina Reza jokes in Art, as though it was a tough technique straight out of an engineering manual. In fact, it allowed for an endless play of subjective meanings.

For Derrida, Time was/is a purely ‘metaphysical’ concept – and he clearly did not intend that description as a compliment. Instead, he evoked an atemporal spatiality, named khōra (borrowing a term from Plato). This timeless state, which pervades the cosmos, is supposed to act both as a receptor and as a germinator of meanings. It is an eternal Present, into which all apparent temporality is absorbed.4 Any interim thoughts or feelings about Time on the part of humans would relate purely to a subjective illusion. Its meanings would, of course, have validity for them, but not necessarily for others.

So how should we think of this all-encompassing khōra? What would Space be like without Time? When asked in 1986, Derrida boldly sketched an image of khōra as a sort of sieve-like receptacle (see Fig.1).5 It was physical and tangible. Yet it was also intended to be fluid and open. Thus the receptacle would simultaneously catch, make and filter all the meanings of the world. The following extract from an explanatory letter by Derrida by no means recounts the full complexity of Derrida’s concept but gives some of the flavour:6

I propose then […] a gilded metallic object (there is gold in the passage from [Plato’s] Timaeus on the khōra […]), to be planted obliquely in the earth. Neither vertical, nor horizontal, a extremely solid frame that would resemble at once a web, a sieve, or a grill (grid) and a stringed musical instrument (piano, harp, lyre?): strings, stringed instrument, vocal chord, etc. As a grill, grid, etc., it would have a certain relationship with the filter (a telescope, or a photographic acid bath, or a machine, which has fallen from the sky, having photographed or X-rayed – filtered – an aerial view). …
2017-02-No1b-Derrida's-sketch-and-Khora

Fig. 1 (L) Derrida’s 1986 sketch of Spatiality without Time, also (R) rendered more schematically
© Centre Canadien d’Architecture/
Canadian Centre for Architecture, Montreal.

In 1987, the cerebral American architect Peter Eisenman (1932- ), whose stark works are often described as ‘deconstructive’, launched into dialogue with Derrida. They discussed giving architectural specificity to Derrida’s khōra in a public garden in Paris.8   One cannot but admire Eisenman’s daring, given the nebulousness of the key concept. Anyway, the plan (see Fig. 2) was not realised. Perhaps there was, after all, something too metaphysical in Derrida’s own vision. Moreover, the installation, if erected, would have soon shown signs of ageing: losing its gilt, weathering, acquiring moss as well as perhaps graffiti – in other words, exhibiting the handiwork of the allegedly banished Time.2017-02-No2-Model-of-Choral-Works

Fig.2 Model of Choral Works by Peter Eisenman
© Eisenman Architects. New York

So the saga took seriously the idea of banishing Time but couldn’t do it. The very words, which Derrida enjoyed deconstructing into fragmentary components, can surely convey multiple potential messages. Yet they do so in consecutive sequences, whether spoke or written, which unfold their meanings concurrently through Time.

In fact, ever since Einstein’s conceptual break-through with his theories of Relativity, we should be thinking about Time and Space as integrally linked in one continuum. Hermann Minkowski, Einstein’s intellectual ally and former tutor, made that clear: ‘Henceforth Space by itself, and Time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality’. In practice, it’s taken the world one hundred years post-Einstein to internalise the view that propositions about Time refer to Space and vice versa. Thus had Derrida managed to abolish temporality, he would have abolished spatiality along with it. It also means that scientists should not be seeking a formula for Time alone but rather for Space-Time: S-T = whatever?

Lastly, if we do want a physical monument to either Space or Time, there’s no need for a special trip to Paris. We need only look around us. The unfolding Space-Time, in which we all live, looks exactly like the entire cosmos, or, in a detailed segment of the whole, like our local home: Planet Earth.
2017-02 No3 Earth-from-Space-Vector

Fig.3 View of Planet Earth from Space
© http://boxist.com/view-of-planet-earth-in-space/

1 For anti-Time, see J. Barbour, The End of Time: The Next Revolution in Our Understanding of the Universe (1999), esp. pp. 324-5. And the reverse in R. Healey, ‘Can Physics Coherently Deny the Reality of Time?’ in C. Callender (ed.), Time, Reality and Experience (Cambridge, 2002), pp. 293-316.

2 B. Stocker, Derrida on Deconstruction (2006); A. Weiner and S.M. Wortham (eds), Encountering Derrida: Legacies and Futures of Deconstruction (2007).

3 Line of dialogue from play by Y. Reza, Art (1994).

4 D. Wood, The Deconstruction of Time (Evanstown, Ill., 2001), pp. 260-1, 269, 270-3; J. Hodge, Derrida on Time (2007); pp. ix-x, 196-203, 205-6, 213-14.

5 R. Wilken, ‘Diagrammatology’, Electronic Book Review, 2007-05-09 (2007): http://www.electronicbookreview.com/thread/electropoetics/intermingled

6 Letter from Derrida to Peter Eisenman, 30 May 1986, as cited in N. Leach (ed.), Rethinking Architecture: A Reader in Cultural Theory (1997), pp. 342-3. See also for formal diagram based on Derrida’s sketch, G. Bennington and J. Derrida, Jacques Derrida (1993), p. 406.

7 A.E. Taylor, A Commentary of Plato’s Timaeus (Oxford, 1928).

8 J. Derrida and P. Eisenman, Chora L Works, ed. J. Kipnis and T. Leeser (New York, 19997).

9 Cited in P.J. Corfield, Time and the Shape of History (2007), p. 9.

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